In the movie market of any kind of nation on the planet, Oscar is counted as one of the most respected rewards. Each year hundreds of movies send their elections for this timeless competition. There are various areas for obtaining the reward such as, finest stars, finest supervisors, songs, visual effects and so on. After sending, the Oscar board has actually chosen couple of amongst them then the competition is begun to locate the very best movie in various groups. In listed below stated web link you will certainly discover extremely cool oscar winner movies having actually accomplished the honor. There is additionally a quick summary on in addition to the movie where you could see the information of the movie likewise, such as the launch day, name of the supervisor, the tale and so on.
If you’re finding for exceptionally great academy award best picture, you have actually land on the appropriate web page. Buzzfeed
Directed by: Vincente Minnelli
Written by: Alan Jay Lerner
The other Oscars it won: Minnelli (Best Director); Lerner (Best Adapted Screenplay); Joseph Ruttenberg (Best Cinematography – Color); William A. Horning, E. Preston Ames, Henry Grace, and F. Keogh Gleason (Best Art Direction); Cecil Beaton (Best Costume Design); Adrienne Fazan (Best Film Editing); André Previn (Best Score – Musical); Frederick Loewe and Lerner (Best Original Song)
What it beat for Best Picture: Auntie Mame, Cat on a Hot Tin Roof, The Defiant Ones, Separate Tables
Yes, the creepiest, most pedophiliac movie ever to win Best Picture is this list’s worst. How to define “worst” in this context, especially when judging Gigi — a movie musical some people love now, and certainly many people loved in 1958 — against films that were barely movies as we currently recognize them? This list is, of course, totally subjective: I factored in my personal feelings about each movie, along with how well it has held up, how influential it is, and what it was up against. And then there’s the ineffability of common wisdom, which I also have taken into account. No matter how I feel about Annie Hall or about Schindler’s List, for example, I know I’m in a minority view in my dislike — and that matters. Not with Gigi, though, in which Leslie Caron plays a Parisian girl being trained to be a courtesan who ends up in a push-and-pull relationship with the much older Gaston (Louis Jordan). This is the movie that gave us that disturbing cultural artifact, the song “Thank Heaven For Little Girls.” If you want disturbing psychosexual movies from 1958, let’s agree that Vertigo, which was nominated only for Best Art Direction and Best Sound, is preferable. To reiterate: Gigi is the worst.
Directed by: Laurence Olivier
Written by: Laurence Olivier
The other Oscars it won: Olivier (Best Actor); Roger K. Furse and Carmen Dillon (Best Art Direction – Black and White); Furse (Best Costume Design – Black and White)
What it beat for Best Picture: Johnny Belinda, The Red Shoes, The Snake Pit, The Treasure of the Sierra Madre
While it’s certainly worth watching Laurence Olivier’s interpretation of Hamlet, there are no great filmed versions of Shakespeare’s best play. This truncated script does not change my mind.
Out of Africa (1985)
Directed by: Sydney Pollack
Written by: Kurt Luedtke
The other Oscars it won: Pollack (Best Director); Luedtke (Best Adapted Screenplay); David Watkin (Best Cinematography); Stephen Grimes and Josie MacAvin (Best Art Direction); John Barry (Best Original Score); Chris Jenkins, Gary Alexander, Larry Stensvold, and Peter Handford (Best Sound)
What it beat for Best Picture: The Color Purple, Kiss of the Spider Woman, Prizzi’s Honor, Witness
Have you watched Out of Africa recently? Even when I first saw it, I remember thinking, Is it possible that Robert Redford is actively bad in this movie? Yes. Yes, he is. This film looks ravishing, and its wins for Best Cinematography and Art Direction are more than deserved. Meryl Streep works her ass off here too. But my god, is it boring. I prefer every other nominated movie over Out of Africa, but Ran, the Akira Kurosawa movie that wasn’t in the Best Picture category, was the actual best of the year, I think.
Mrs. Miniver (1942)
Directed by: William Wyler
Written by: Arthur Wimperis, George Froeschel, James Hilton, and Claudine West
The other Oscars it won: Wyler (Best Director); Wimperis, Froeschel, Hilton, and West (Best Screenplay); Greer Garson (Best Actress); Teresa Wright (Best Supporting Actress); Joseph Ruttenberg (Best Cinematography – Black and White)
What it beat for Best Picture: The Invaders, Kings Row, The Magnificent Ambersons, The Pied Piper, The Pride of the Yankees, Random Harvest, The Talk of the Town, Wake Island, Yankee Doodle Dandy
The story of Mrs. Miniver served as almost literal propaganda to bolster British spirits during World War II. So it’s hard to judge the movie now on the usual merits. Greer Garson is great, though.
The Greatest Show on Earth (1952)
Directed by: Cecil B. DeMille
Written by: Fredric M. Frank, Barré Lyndon, Theodore St. John, and Frank Cavett
The other Oscars it won: Frank, St. John, and Cavett (Best Story)
What it beat for Best Picture: High Noon, Ivanhoe, Moulin Rouge, The Quiet Man
Produced and directed by Cecil B. DeMille on a huge scale, this movie is often cited as one of the worst movies ever to win Best Picture. I say it is second worst. Jimmy Stewart as Buttons the clown is a complete travesty for sure. Note that Singin’ in the Rain, a classic that also came out in 1952, wasn’t even nominated for Best Picture.
Going My Way (1944)
Directed by: Leo McCarey
Written by: Frank Butler and Frank Cavett; Story by Leo McCarey
The other Oscars it won: McCarey (Best Director); McCarey (Best Original Story); Butler and Cavett (Best Screenplay); Bing Crosby (Best Actor); Barry Fitzgerald (Best Supporting Actor); James Van Heusen and Johnny Burke (Best Original Song)
What it beat for Best Picture: Double Indemnity, Gaslight, Since You Went Away, Wilson
It was a huge hit at the time, and the peak of Bing Crosby’s career. Yet the amiable Going My Way has been largely swept from Oscar history. Strangely, the sequel, 1945’s The Bells of St. Mary’s, in which Crosby returns as Father O’Malley, might be a more familiar title.
Directed by: Frank Lloyd
Written by: Reginald Berkeley and Sonya Levien
The other Oscars it won: Lloyd (Best Director); William S. Darling (Best Art Direction)
What it beat for Best Picture: A Farewell to Arms, 42nd Street, I Am a Fugitive from a Chain Gang, Lady for a Day, Little Women, The Private Life of Henry VIII, She Done Him Wrong, Smilin’ Through, State Fair
Cavalcade, which takes audiences through years of world events from the late 19th century until 1930 (the Boer War, the Titanic) through the eyes of an English family, was based on a Noel Coward play. The film was popular when it was released but has faded from people’s memories. It is watchable-ish now. There are a number of movies it beat for Best Picture, as you can see, that are more popular today. (The 1933 Marx Brother’s Duck Soup wasn’t nominated at the time, having been considered a disappointment.)
West Side Story (1961)
Directed by: Robert Wise and Jerome Robbins
Written by: Ernest Lehman
The other Oscars it won: Wise and Robbins (Best Director); George Chakiris (Best Supporting Actor); Rita Moreno (Best Supporting Actress); Daniel L. Fapp (Best Cinematography – Color); Boris Leven and Victor A. Gangelin (Best Art Direction – Color); Irene Sharaff (Best Costume Design – Color); Thomas Stanford (Best Film Editing); Saul Chaplin, Johnny Green, Sid Ramin, and Irwin Kostal (Best Score – Musical); Fred Hynes, Todd-AO Sound Department, Gordon E. Sawyer, Samuel Goldwyn Studio Sound Department (Best Sound)
What it beat for Best Picture: Fanny, The Guns of Navarone, The Hustler, Judgment at Nuremberg
When I imagine people yelling at me in the comments section of this list, I feel that West Side Story might be among the yelliest. Rita Moreno is exciting, and steals the movie. The dancing is unparalleled. And the music is — well, it’s the magical music from West Side Story! But Natalie Wood is terrible, so is Richard Beymer, and this movie is not the way you might remember it in your mind. Also, Judgment at Nuremberg is one of my favorites.
Tom Jones (1963)
Directed by: Tony Richardson
Written by: John Osborne
The other Oscars it won: Richardson (Best Director); Osborne (Best Adapted Screenplay); John Addison (Best Substantially Original Score)
What it beat for Best Picture: America, America, Cleopatra, How the West Was Won, Lilies of the Field
Have you seen Tom Jones? Have you heard of Tom Jones? It’s an odd movie, and one of the few comedies on this list. Tony Richardson’s stylish and anachronistic direction of Henry Fielding’s 18th century novel makes this movie light fun. (For those keeping track, Federico Fellini’s 8 1/2 was also released in 1963.)
The Broadway Melody (1929)
Directed by: Harry Beaumont
Written by: Sarah Y. Mason, Norman Houston, and James Gleason
The other Oscars it won: None
What it beat for Best Picture: Alibi, In Old Arizona, The Hollywood Revue of 1929, The Patriot
The second movie to win an Academy Award for Best Picture, the first modern movie musical, legendary producer Irving Thalberg’s first Oscar, and MGM’s first musical ever, is, sadly, not good by today’s standards. Still: respect.
Grand Hotel (1932)
Directed by: Edmund Goulding
Written by: William A. Drake and Béla Balázs
The other Oscars it won: Not even nominated
What it beat for Best Picture: Arrowsmith, Bad Girl, The Champ, Five Star Final, One Hour With You, Shanghai Express, The Smiling Lieutenant
Still fascinating to watch because of the stars in it (Joan Crawford, Greta Garbo, John Barrymore, and Lionel Barrymore), and more of a movie the way we currently think of them than any of the other early winners. If this movie had been made 15 or 20 years later, it would have been soapy; instead, it bores. One bit of trivia: This is the only Best Picture winner ever not to receive any other nominations.
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